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RICHARD THOMPSON ELECTRIC TRIO

December 12 @ 7:30 pm

Tickets:  $39.50 Advance / $59.50 Gold Circle
Gold Circle Early Entry is 6:15 – 6:30 pm.
This is a General Admission All Seated Show

General Admission Gold Circle


FPC Live Presents

RICHARD THOMPSON ELECTRIC TRIO

http://www.richardthompson-music.com

Tickets:  $39.50 Advance / $59.50 Gold Circle
Gold Circle Early Entry is 6:15 – 6:30 pm.
This is a General Admission All Seated Show.

BIO

“THE FINEST ROCK SONGWRITER AFTER DYLAN AND THE BEST ELECTRIC GUITARIST SINCE HENDRIX.” – LOS ANGELES TIMES

In 2017, Ivor Novello Award-winning and GRAMMY® Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album, 13 Rivers.

“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.”

In 2017, Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion.

“I wrote the songs as a group to hang together,” he elaborates. “They belong together in some way and seem to possess a commonality since they were written in the same time and space.”

To capture this vision, he retreated to the famed Boulevard Recording Studio in Los Angeles. Known previously as “The Producers Workshop” and once owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and Joan Baez. It also hosted the mixing sessions for Pink Floyd’s The Wall. Notably, this marked the first time Thompson self- produced in over a decade and he opted to track analog in just ten days. Engineered by Clay Blair (The War on Drugs), usual suspects Michael Jerome [drums, percussion], Taras Prodaniuk [bass], and Bobby Eichorn [guitar] joined him.

“It’s a funky studio that was quite popular in the sixties and seventies,” he says. “It used to be Hollywood trendy, but it fell into total disrepair. It’s still got some gaps in the walls. I like studios that are honest. It’s about the décor of the sound, and there’s a specific sound to Boulevard. Clay is a Beatles nut, so I could grab a Gretsch off the wall or dial into an amp that had this unbelievable tone reminiscent of The Beatles. They also say Liberace’s ghost still haunts the place, but I hadn’t seen him myself,” laughs Thompson.

13 Rivers commences on the tribal percussion and guitar rustle of “The Storm Won’t Come” as the artist bellows, “I’m looking for a storm to blow through town.” The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding.

“Obviously it’s been a stressful couple of years,” he sighs. “The song references wanting to change your life—but it’s a difficult undertaking. You have to wait for it to happen naturally. You can’t force it.”

Elsewhere, “Her Love Was Meant For Me” spirals into an emotionally charged display of fret fireworks punctuated by his deep wail. “Tears” shakes and shuffles from haunting verses towards a hypnotic refrain “about a friend’s hard and interesting life.”

Meanwhile, the dreamy “Shaking The Gates” unfolds like a hymnal as he croons, “I’m shaking the gates of heaven.”

“The are 13 songs on the record, and each one is like a river,” he explains. “Some flow faster than others. Some follow a slow and winding current. They all culminate on this one body of work.”

In many ways, his career has pointed towards such a statement. Powered by evocative songcraft, jaw- dropping guitar playing, and indefinable spirit, this venerable icon holds a coveted spot on Rolling Stone’s “100 Greatest Guitarists of All Time” and counts a Lifetime Achievement Award from the Americana Music Association in Nashville, and a Lifetime Achievement Award from the BBC Awards among his many accolades. 2011 saw Thompson garner an OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. Moreover, Time touted his anthem, “1952 Vincent Black Lightning,” on its “100 Greatest Songs Since 1923” list.

Thompson’s influence can’t be overstated. Everybody from Robert Plant, Don Henley, and Elvis Costello to REM, Sleater-Kinney and David Byrne has covered his music.

Wilco’s Jeff Tweedy jumped at the chance to produce 2015’s Still – which earned plaudits from Pitchfork, The Guardian, Rolling Stone, and more. Meanwhile, Werner Herzog tapped him for the soundtrack to Grizzly Man. He launched his career by co-founding trailblazing rock outfit Fairport Convention, responsible for igniting a British Folk Rock movement.

However, 13 Rivers represents another high watermark. “The songs are a surprise in a good way,” he leaves off. “They came to me as a surprise in a dark time. They reflected my emotions in an oblique manner that I’ll never truly understand. It’s as if they’d been channeled from somewhere else. You find deeper meaning in the best records as time goes on. The reward comes later.”

ICHARD THOMPSON RETURNS WITH 13 RIVERS

SEPTEMBER 14th, 2018 VIA NEW WEST AND PROPER RECORDS

AVAILABLE FOR PRE-ORDER NOW

Richard Thompson is set to return with 13 Rivers on September 14th, 2018. A return to New West Records in the US and continued collaboration with Proper Records internationally, the 13-song set is the Grammy nominated artist’s first self-produced album in over a decade and was recorded 100% analog in just ten days.  It was engineered by Clay Blair (The War On Drugs) and features Thompson’s regular accompanists Michael Jerome (drums, percussion), Taras Prodaniuk (bass), and Bobby Eichorn (guitar).

13 Rivers is a bare-bones, emotionally direct album that speaks from the heart with no filters. “There are 13 songs on the record, and each one is like a river,” Thompson explains. “Some flow faster than others.  Some follow a slow and winding current. They all culminate on this one body of work.”

A high water mark in an overwhelmingly impressive career, 13 Rivers was recorded at the famed Boulevard Recording Studio in Los Angeles.  Previously known as The Production Workshop, which was owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and hosted the mixing sessions for Pink Floyd’s legendary The Wall.  Of the album, Thompson says, “The songs are a surprise in a good way.  They came to me as a surprise in a dark time. They reflected my emotions in an oblique manner that I’ll never truly understand.  It’s as if they’d been channelled from somewhere else. You find deeper meaning in the best records as time goes on. The reward comes later.”  He continues, “I don’t know how the creative process works. I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me.  We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission at the back.”

13 Rivers commences on the tribal percussion and guitar rustle of “The Storm Won’t Come” as the artist bellows, “I’m looking for a storm to blow through town.”  The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding from the guitar virtuoso. NPR Music premiered “The Storm Won’t Come,” alongside an additional new album track, “Bones of Gilead.”

13 Rivers will be available across digital platforms, compact disc, vinyl, as well as a limited split cream & black vinyl edition available at US Independent Retailers.

Richard Thompson’s 13 Rivers is available for pre-order now.

Richard Thompson’s musical influence cannot be overstated.  Having co-founded the groundbreaking group Fairport Convention as a teenager in the 60s, he and his bandmates invented the distinctive strain of British Folk Rock.  He left the group by the age of 21 which was followed by a decade long musical partnership with his then-wife Linda, to over 30 years as a highly successful solo artist.  In 2011, Thompson received an OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. The Los Angeles Times called him the finest rock songwriter after Dylan and the best electric guitarist since Hendrix and Rolling Stone has named him one of the Top 100 Guitarists of All Time.  He has received lifetime achievement awards for songwriting from Britain’s BBC Awards, the Americana Music Association, and was awarded the prestigious Ivor Novello Award.  His song “1952 Vincent Black Lightning” was named one of TIME Magazine’s “100 Greatest Songs Since 1923.”  A wide range of musicians have recorded Thompson’s songs including Robert Plant, Elvis Costello, R.E.M., Sleater-Kinney, Del McCoury, Bonnie Raitt, Tom Jones, David Byrne, Don Henley, Los Lobos, and many more. His massive body of work includes many Grammy nominated albums as well as numerous soundtracks, including Werner Herzog’s Grizzly Man. Thompson’s genre defying mastery of both acoustic and electric guitar along with engaging energy and onstage wit continue to earn him new fans and a place as one of the most distinctive virtuosos and writers in Folk Rock history.

Richard Thompson 13 Rivers Track List:

1. The Storm Won’t Come

2. The Rattle Within

3. Her Love Was Meant For Me

4. Bones Of Gilead

5. The Dog In You

6. Trying

7. Do All These Tears Belong To You?

8. My Rock, My Rope

9. You Can’t Reach Me

10. O Cinderella

11. No Matter

12. Pride

13. Shaking The Gates