FPC Live Presents
ERIC JOHNSON – AH VIA MUSICOM TOUR
(Gold Circle includes Early Entry & Preferred Seating)
This is a General Admission – All Seated Show
The guitar has been very good to Eric Johnson, earning him international renown as a player, composer, recording artist and live entertainer as well as an ever-growing audience of admirers. And Eric Johnson has been very good to the guitar, spotlighting its myriad melodic, sonic and lyrical splendors, paying homage to its heroes and innovators, collaborating and playing with many of its finest contemporary talents, and fostering its continuing vibrancy as a primarily instrumental genre in popular music.
“He’s an extraordinary guitar player accessible to ordinary music fans,” notes the Memphis Commercial Appeal. That’s because Eric Johnson plays music and not just the guitar. He is also a gifted player of the piano (his first instrument) as well as songwriter, singer and song interpreter. Or more succinctly, Eric Johnson is a diverse, versatile and fully realized musical creator who plays guitar like no one else.
The pivotal event in Johnson’s rise to becoming, as Guitar Player says, “one of the most respected guitarists on the planet,” was his million-selling, now-classic 1990 album Ah Via Musicom (which loosely translates as “communicating through music”). It was his second
release, following Tones, his 1986 major label debut. Musicom yielded three Top 10 singles – “Cliffs of Dover,” which has become Johnson’s signature song and won a Best Rock Instrumental Grammy, and “Trademark” and “Righteous.” It made him the first artist to ever score three Top 10 instrumentals. Now, 28 years later, he revisits that landmark recording with a 2018 tour on which he will play the
album – hailed as a “masterwork” in Amazon.com’s review – in its entirety.
“It’ll be cool to revisit with [bassist] Kyle Brock and [drummer] Tommy Taylor” – who backed Johnson on his nearly two years of steady touring after the album came out. “A lot of acts are playing their full albums live, and after it was suggested I do it, we kind of polled my fan base and got a wonderful response to it,” says Johnson. It will be an opportunity for his followers to hear the album in concert as it plays on record and enjoy what Eric brings to Ah Via Musicom after more than a quarter century of further experience. “A lot of that record was improvised, so there will be sections in the songs where I can do that now. I think it will be fun,” he enthuses.
The Austin, Texas-based Johnson also closes out 2017 with a new album, Collage, that combines five new original songs with five covers that reflect both his inspirations and range: An acoustic version of Jimi Hendrix’s “One Rainy Wish,” The Beatles classic “We Can Work It
Out” in an Afro-Caribbean groove, a reinterpretation of B.B. King’s “Rock Me Baby,” the surf rock classic “Pipeline” and Stevie Wonder’s 1966 #3 pop hit “Uptight (Everything’s Alright).”
The original material demonstrates the breadth and prolific creativity that marks Johnson’s work today. “I’ve got a whole bunch of things I’ve been working on all at once, and these are the ones I finished up to release,” he explains. “I just did some stuff I like to do for fun,
loosened the reins, and cut a lot of this live in the studio.” Part of the fun was “to look at other people’s songs that meant a lot to me,” Eric says. “If a song has a certain thing about it that’s really good, there are so many different ways you can put a slant on it. It’s kind of a mark of a good song or a good piece of music if you’re able to do that.
The years prior to Ah Via Musicom and since are rich with accomplishments. Over the now six studio albums that have followed it – Venus Isle (1996); Bloom (2005); 2010’s Up Close and its revised version for Europe and Japan, Up Close (Another Look), now being issued in the US; his acoustic guitar and piano album EJ (2016); and the latest – Eric has broadened and enriched his rock guitar palette and further delved into his love for blues, jazz and country.
He’s earned six Grammy nominations, has topped or been listed high in countless greatest guitarist lists in music publications, and been featured on the cover of most every guitar magazine, many more than once. Johnson released an album in 2014 with jazz guitarist Mike Stern, Eclectic, that also landed him on the cover of Downbeat. His catalog further includes a collection of outtakes, demos and live treats, Souvenir (2002). And in 1998 his never-before-issued very first album recording from some 20 years before, Seven Worlds, was finally released by its producer (All Music Guide hailed it as a “classy false start to a great career”).
As an ardent live performer who regularly tours, “Few rock guitarists can take an audience on an unforgettable journey like Eric Johnson can,” observes Brave Words & Bloody Knuckles. His primary live performance configuration is as a trio, most often with some of Austin’s top players, including drummer Tommy Taylor and bassist Kyle Brock, who toured with him following Ah Via Musicom’s success and return for the 2018 outing. He’s also done acoustic tours both solo and as a trio with noted players Peppino D’Agostino and Andy McKee, and electric guitar tours with his hero B.B. King and pal and peer Sonny Landreth.
His concert performances have been captured on a number of releases. Europe Live (2014) “serves as a fine introduction to this stunning musician,” says All Music, as also do his two Live From Austin TX CD/DVD packages from his “Austin City Limits” performances and
Anaheim Live (2008). His 1996 tour with Steve Vai and Joe Satriani hit stores the following year as G3: Live in Concert, which was a platinum-selling CD and DVD. Eric’s side project Alien Love Child as well released an in-concert disc, Live and Beyond, in 2000.
Johnson is an avid admirer of fellow guitarists past and present, and has recorded and/or performed with such other notables as Chet Atkins, B.B. King, Stevie Ray Vaughan, James Burton, Jeff Beck, Steve Miller, John McLaughlin, Jimmie Vaughan, Jeff “Skunk” Baxter,
Adrian Belew, Dweezil Zappa, Brad Paisley, Adrian Legg, John Petrucci and others. He has paid homage in song to such players as Jerry Reed (“Tribute to Jerry Reed” on Bloom), fellow Texan Stevie Ray Vaughan (the Grammy-nominated track “SRV”) and Wes Montgomery (who Johnson saluted in his Ah Via Musicom song “East Wes”). He has to date appeared on eight Experience Hendrix tours paying homage to one of his seminal guitar icons.
Eric’s artistic journey began in his teens in the Austin clubs, not long after joining the psychedelic rock band Mariani and later touring with the jazz-rock fusion group The Electromagnets. Eric’s burgeoning reputation and touts from both Prince and Christopher Cross helped win him a deal with Reprise Records in the mid 1980s. The album that resulted, Tones, failed to chart. But it did earn him his first Grammy nomination for the song “Zap” and landed him on the front of Guitar Player magazine with the cutline: “Who is Eric Johnson &
why is he on our cover?”
Once Ah Via Musicom hit, the Los Angeles Times noted how he had already “been compared with rock’s immortals.” But Eric himself modestly demurs. “I don’t think I’m a rock god. I just keep playing. It’s fun, and I’m glad people enjoy it.”